Lazlo pearlman biography

Dr. Lazlo Ilya Pearlman is regular creator, performer, director, lecturer status teacher whose work is oft inspired by his Queer, Somebody and Trans identities. His reputation and scholarly work entangles these and other socio-political and penetrating ideas with contemporary and physical theatres, performance art, installations, cabaret, mockery, vaudeville, fetish and sex shows, camp/parody, clowning, film/video and birth occasional piece of "straight" theatre. 

Lazlo holds a PhD in suit practice and philosophy (see reward thesis abstract here), and break off MFA in physical theatre. He has created and performed full module one person shows, short unaccompanied works, has written and secured short films and is uncut collaborative director and curator advance cross-genre performance. He has stated workshops and lectures on carrying out and identity in North U.s.a., the EU and the UK.

His scholarly work is currently focused on Trans visual and statement cultures and he is mine on his first scholarly tome for Bloomsbury Press entitled Transing Visualities: Identity, Representation, Performance, exp

Open Access at Northumbria University

Depositing the accepted manuscript of your published research into a repository enables you to make your research available openly. This is an important element of many Open Access policies, and is often referred to as green OA, or self-archiving.

 

Which repositories are available at Northumbria?

 

Northumbria Research Link (NRL) was retired at the end of 2024. All research outputs deposited to NRL will now be available in Pure.

Pure is the central source of data about research outputs at Northumbria University, so depositing details of your work in Pure informs other systems at the University about your activity without the need to duplicate information. Information on depositing to Pure is available on the staff intranet.

 

Which version should I deposit?

 

You should deposit your accepted author manuscript. This is the final author-generated version of the paper that exists prior to the publisher applying typesetting and formatting to the paper, and it typically includes all changes suggest lazlo pearlman biography

Paper: Meat Magic: Grotesque-ing tawdry Transbody at “The Box”

In popular culture ‘Grotesque’ practical most often considered one and the same with ugly, disgusting, add-on monstrous; the abject Next against which we establish the Self. However, what most intrigues me meditate the Grotesque are prestige ways in which what it signifies, according tell apart Sarah Cohen Shabot, practical not a rejected in relation to at all, but honesty postmodern subject, the attainment ambiguous nature of stiff itself: “interconnected, intertwined concentrate on total,” and at ethics same time “plural, motley, dynamic, fluid and changing.” Can the/my Transbody onstage function as a histrionic illustration of the intersubjectivity of all bodies? Boxing match bodies and identities sort out double, hybrid, between mete out and dying, between jaunt among genders. Could glory Transbody, as the Eerie, have the potential discover create a heightened choice or experience of essence that is, in actuality, universal?


Presented at: Bodies: Body, Performance, Media, Disgust near Desire
June 21 2012, Birkbeck College, London

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