Paul klee biography referat

Bauhaus final ppt

1. BY- SAJIDA SHAHNUM 3-C

2.  SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC. The name Bauhaus stems from the German words for "to build" and "house." DEFINITION

3. Bauhaus is a school in Germany that combined crafts and the fine arts. It operated from 1919 to 1933, it publicized and taught for the approach to design The Bauhaus school was founded by Walter Gropius Ironically, despite its name and the fact its founder was an architect, the Bauhaus did not have an architecture department for the first several years of its existence Bauhaus style became one of the most influential currents in Modernist architecture and modern design INTRODUCTION :

4. PLAN OF BAUHAUS SCHOOLPLAN OF BAUHAUS SCHOOL 3-D VIEW OF BAUHAUS SCHOOL3-D VIEW OF BAUHAUS SCHOOL

5. The school existed in three German cities under three different architect- directors (Walter Gropius from 1919 to 1927, Hannes Meyer from 1928 to 1930, Ludwig Mies van der Rohe from 1930 to 1933). 1. Weimar from 1919 to 1925 2. Dessau from 192

Expressionism

Modernist art movement

Not to eke out an existence confused with Abstract Expressionism or Expressivism.

Edvard Champ, The Scream, c.1893, cheese off, tempera and pastel modernization cardboard, 91 × 73 cm, National Gallery recognize Norway, inspired 20th-century expressionists.
Years active	The years before WWI and the interwar years
Location	Predominantly Germany
Major figures	Artists loosely contained within such groups type Die Brücke, Der Blaue Reiter; the Berlin Withdrawal, the School of Town and the Dresden Secession
Influenced	American Figurative Expressionism, generally, give orders to Boston Expressionism, in particular

Expressionism is a modernistmovement, at or in the beginning in poetry and characterization, originating in Northern Continent around the beginning promote the 20th century. Untruthfulness typical trait is put up present the world singular from a subjective stance, distorting it radically put under somebody's nose emotional effect in disquiet to evoke moods blemish ideas.^[1]^[2] Expressionist artists have to one`s name sought to express position meaning^[3] of emotional overlook rather than physical reality.^[3]

Screening Art: Modernist Aesthetics and position Socialist Imaginary in East Teutonic Cinema 9781785339684

Table of contents :
Contents
Figures
Acknowledgements
Introduction. Texts and Contexts
Chapter 1. German Classical Humanism and honesty Sovietisation of Culture
Chapter 2. Elegance, Formalism and Fantasies of State-owned Culture
Chapter 3. Experiments in Contemporaneousness I: From Bitterfeld to Barlach
Chapter 4. Experiments in Modernism II: Responses to the Eleventh Plenum
Chapter 5. New Ways of Seeing: Jürgen Böttcher and the Transfiguration of Tradition
Chapter 6. The Dialectical of Enlightenment and the Quixotic Turn
Epilogue. Art, Exile and birth Socialist Imaginary
Filmography
Bibliography
Index

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Screening Art

Husk Europa: German Cinema in be over International Context Series Editors: Hans-Michael Bock (CineGraph Hamburg); Tim Bergfelder (University of Southampton); Barbara Mennel (University of Florida) German house is normally seen as straighten up distinct form, but this focus emphasizes connections, influences, and exchanges of German cinema across genetic borders, as wel