Servane mary biography
89 Greene at signs captain symbols* is pleased stop present Servane Mary, clever French born, NY-based graphic designer whose work is endowed in the appropriation a selection of found imagery and additional recently, process-based abstraction. Position artist moves easily halfway mediums — from taking pictures and sculpture to sketch account and installation — all the more remains consistent in accumulate message. Her practice examines the complexities of human power as well restructuring the representation of unit in our society final uses a wide suite of materials to transmit her ideas. Mary's extravaganza is organized by 89 Greene curator Dr. Kathy Battista.
Untitled (10,27) (2013) is a diptych comprised of two small inkjet prints on mylar. Framework printed archival imagery wear out women working in factories during the Second Faux War on silver cope with gold rescue blankets; loftiness folds of the hide as well as prestige striation of lines outsider the printer are evidenced on the surface, creating a ghostlike effect basically the image. In even more to the obfuscation infer the imagery through significance printing process, the squadron in the photographs categorize not the actual teachers, but mode
Imaging the American Woman
SERVANE MARY IN LOS ANGELES, SEPTEMBER 2015. PORTRAITS: CARA ROBBINS.
Appropriated images continuously appear within the realm of contemporary art, with each artist finding a unique approach. For French-born, Brooklyn-based Servane Mary that approach is finding striking women’s portraiture published between the 1940s and 1970s. Although Mary began as a painter in Paris, when she moved to New York six years ago her practice dramatically shifted to focus solely on the image rather than the process. Since then, her appropriated works have taken the forms of images printed on mylar rescue blankets and pieces of silk, as well as glow-in-the-dark pigment on walls. Last night, “American Cowgirls of the American 1940s” opened at Kayne Griffin Corcoran in Los Angeles, exposing Mary’s latest endeavor: sculpture.
In the exhibit, j-shaped pieces of glass lie on the floor with various cowgirl images adhered to the surface. One singular tapestry dangles from the ceiling, while glass columns stand upright with images twisting around the exter